Sync

Sync licensing

Quick answer

Sync licensing means licensing a song for use with visual media. Fees are negotiated, so they are a wide range: about $5 for a micro-sync to $250,000 or more for a national commercial. Estimate yours below, then see what you would keep.

Last checked October 20, 2026 Estimates only; not legal or financial advice.

Sync fee estimator

Ranges come from two third-party guides, checked October 20, 2026. They are estimates. Nothing you type leaves your browser.

Key takeaways

1

No fixed rate

Neither the US nor Canada sets a minimum for sync, so every fee is negotiated deal by deal.

2

Two licenses, two paychecks

Sync needs permission for the master and the composition. Performance royalties from your PRO come later, separately.

3

Get the music ready first

Own both sides, agree splits in writing and clear samples before anyone pitches it.

How a sync license works

A sync license is permission to put a song with pictures. Because a song is two copyrights, the recording (the master) and the composition (the publishing), a user normally needs permission for both. If you own both sides, you collect both. Velveteen: sync license fees · checked October 20, 2026

There is no compulsory license for sync in the US, and no statutory minimum fee in the US or Canada. The price is whatever the parties agree, shaped by the license term, the territory and the scope of use.

Upfront fee vs performance royalties

The upfront fee is paid by the production when the deal closes. Performance royalties are a second payment, collected by your PRO when the finished program airs or streams, and they can lag the broadcast by months. PROs do not issue sync licenses; sync rights come from the rights holder.

Estimated fee by project type

Upfront fee per placement. Estimates from industry guides, not quotes; the span is the widest range across the guides.
Project typeEstimated rangeSources
Social media or digital ad$5 to $5,000Velveteen, DropCue
Indie or student film$0 to $5,000Velveteen, DropCue
Documentary$1,000 to $10,000Velveteen
TV episode, background use$250 to $5,000Velveteen, DropCue
TV episode, featured use$1,500 to $15,000Velveteen, DropCue
Streaming series$1,000 to $50,000Velveteen, DropCue
Video game, indie$500 to $5,000Velveteen
Video game, mid-tier or AAA$2,000 to $50,000Velveteen, DropCue
Local or regional ad$1,000 to $15,000Velveteen, DropCue
National TV commercial (US)$10,000 to $250,000Velveteen, DropCue
Film trailer (major studio)$5,000 to $200,000Velveteen, DropCue

Some top ends are open-ended in the guides (for example “$250,000+”).

What you would keep

Enter the fee, how much of each side you own, and any commission a library or agent takes.

Published figures: CD Baby (CDB Sync) keeps 40%; Pond5 keeps 70%; Envato Market (AudioJungle) keeps 50%; Crucial Music keeps 50%; Jingle Punks keeps 50%. See the library finder.

Sync-ready checklist

Tick what is true for your song. This is a readiness check, not a guarantee of placements.

Not sure of your splits? Use the split sheet generator. Need a code? See the ISRC checker.

Questions people ask

What is sync licensing?

Sync licensing is giving permission for a song to be used with visual media, such as TV, film, ads or games. It usually needs a license for the recording (master) and one for the composition (publishing).

How much does sync licensing pay?

There is no fixed rate. Industry guides put typical fees from about $5 for a micro-sync up to $250,000 or more for a national commercial. Use the estimator for a range by project type; these are estimates, not quotes.

Do PROs issue sync licenses?

No. The guides we cite say PROs such as ASCAP and BMI collect performance royalties after a placement airs, but sync rights come directly from the rights holder.

Is there a minimum sync fee?

No. Neither the US nor Canada sets a statutory minimum for sync, so every fee is negotiated.

How do I get a sync placement?

Two common routes: put your music with a library or sync agency that pitches it, or pitch music supervisors yourself. Either way you need the music ready to clear first; see the checklist on this page.

Will a library take part of my fee?

Yes. The libraries that publish their terms keep a share, for example 40% at CD Baby and 70% at Pond5 for music. See the library finder for each company’s own figures.

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