Single Application
$45 online
One author, same claimant, one work, not made for hire.
Paperwork
Your song is protected automatically once it is written down or recorded. Registering it with the U.S. Copyright Office costs $45 to $65 online and is needed before you can sue. A song and its recording are two separate works.
$45 online
One author, same claimant, one work, not made for hire.
$65 online
All other online filings, including a song with co-writers.
$125 by mail
Check or money order. Online filing is faster.
Per Circular 4, Copyright Office Fees (revised November 2024; fees in effect since March 20, 2020). copyright.gov: Circular 4 · checked October 20, 2026 Always confirm on the Office’s fee page before you pay.
Copyright exists once the work is fixed in a tangible medium. Registering is optional, but needed to enforce it in court.
The composition (music and lyrics) and the sound recording are separate works with separate registrations, unless the same claimant owns both.
The Single Application is cheaper but has strict conditions. Paper forms cost more.
No: copyright exists automatically once an original work is fixed in a tangible medium, such as written down or recorded. But registration is necessary before you can file an infringement suit for a U.S. work, and registering before an infringement, or within three months after publication, makes you eligible for statutory damages and attorneys’ fees. copyright.gov: Circular 1, Copyright Basics · checked October 20, 2026
The music and lyrics. The author is the songwriter, composer or lyricist. Registered as a work of the performing arts, usually on Form PA.
A recorded performance. The authors are the performers and/or the producer who captured and edited the sounds. Registered on Form SR.
The Copyright Office treats them as two separate works: a registration for one does not cover the other. copyright.gov: Circular 56A · checked October 20, 2026
You can use one application for both only when they are on the same phonorecord and the same person or entity is the claimant for both. A songwriter who records their own song, or a label that owns both, can do this. An artist who records someone else’s song registers the recording only. You can always register them on separate applications.
If a work is made for hire, the author is the employer, not the person who made it. The applicant, not the Copyright Office, decides whether a work meets the legal definition. See Circular 30 and the Office’s guidance before you apply.
No. The Copyright Office says copyright exists automatically in an original work once it is fixed in a tangible medium. Registration is not mandatory, but for U.S. works it is necessary before you can sue for infringement.
Online, the Office’s fee schedule lists $45 for a Single Application and $65 for a Standard Application, and $125 for a paper form. Fees can change, so confirm on copyright.gov before you file.
They are two separate works. You can use one standard application for both only if they are embodied in the same recording and the same person or company is the claimant for both. You can always register them separately.
Form PA is for performing arts works such as a musical composition; Form SR is for sound recordings. Most people register online instead of on paper.
A cheaper, streamlined application. For a song and recording together you need all three: they are in the same recording, you are the only performer featured, and you are the only copyright owner of both.
Yes, a deposit is required. For unpublished or digital-only music the Office strongly encourages uploading a file (up to 500 MB each) rather than mailing a physical copy.
No. It summarizes the U.S. Copyright Office’s own guidance. For a dispute or a valuable catalog, talk to an entertainment lawyer.